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Chengdu Early Keyboard Music Workshop
Jul
13
to 15 Jul

Chengdu Early Keyboard Music Workshop

  • Sun, 13 Jul 2025 09:30 Tue, 15 Jul 2025 22:30
  • Tone Galexie (map)
  • Google Calendar ICS

Early Keyboard and Chamber Music Workshop, July 13–15 — Discover the world of the harpsichord; reimagine your touch and your hearing.

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  • Lecture with Violinist Hongxia Cui

    (小提琴的圣经:巴赫小提琴无伴奏奏鸣曲与组曲,2023年3月)

  • Lecture with Artist Director of Meeting Jazz, Mr Yao Dong

    (反叛与释放:爵士乐为何如此迷人?2023年1月)

  •   (如何挑战钢琴教学中的误区,2022年11月)

  • (理解与练习连奏/断奏技法的关键,2022年5月)

  •    (室内乐学习在钢琴教育中的重要性,2022年2月)

  • (早期键盘乐器的重建与历史审美,西安音乐学院,2021年12月)

  • (浪漫主义的伏笔:启蒙运动后的狂飙突进,2021年11月)

  •    (论听觉与想象:如何探索钢琴音色的表现力,2021年7月)

  • (早期音乐在现代审美趋势中的意义,2021年7月)

  •   (音乐审美的培养:从学会聆听开始,2021年4月)

  • (钢琴诞生之前的“钢琴”,《天方乐谈》第31期,2021年1月)

  •   (平安夜的起源与音乐,2020年12月)

  •    (从贝多芬理解早期音乐,上海音乐厅,2020年12月)

    Link

  • (肖邦的歌:纪念肖邦诞辰210周年,2020年10月)

    Link

    【活动内容】

    肖邦的歌曲通常不被认作是这位“钢琴诗人”的主流作品,有时甚至被当做“意义不大”的创作,因为纵观肖邦的所有作品,几乎大部分题材都是围绕“舞曲”这一波兰精神展开,但不可忽视的其余“歌曲”(夜曲等)才是肖邦情感上的挚爱。

    相对贝多芬所开启的德奥浪漫主义流派,奠定了今日史诗性电影音乐的交响乐配乐基础,肖邦对音乐届的贡献更多时候是被忽视的,虽然他在今天被定义为著名的古典音乐作曲家,但我更倾向于给他冠上“流行音乐之父”的称号,从他的时代直到今天,由欧美歌坛到华语歌坛,肖邦所创造出的和声结构无处不在,比如周杰伦,他的歌曲中处处可见肖邦式的乐句设计,可称得上是肖邦和声流派的亚洲最佳继承者。

    肖邦所写的这些“小曲”——他自己常常这样称呼。有些是他年轻时在华沙创作的,部分是后来在巴黎时期写的。像德意志作曲家的艺术歌曲通常以歌德、席勒等诗人为动机一样,肖邦的创作冲动同样来自波兰诗篇,从史料上,肖邦对波兰诗人Witwicki表现出的关注,以及在他生命最后时刻还给Zygmunt Krasinski 的一些诗歌配曲,都反映出波兰诗歌对肖邦创作的激发有着极为重要的作用。

    在肖邦的信件中他无时无刻不提到他的这些歌曲,在语气中充满了对这些歌曲的钟爱,不难理解,这些歌曲是如此贴近他心底的精神世界。

    最后需要提到的是肖邦歌曲的“波兰风格”,肖邦在为这些歌曲填词排句时从来不纳用“外来语”。肖邦的学生丰塔纳在出版肖邦的遗作时曾写序道:“这里是肖邦遗作的第二部分,其中16首歌曲有着浓郁的波兰民族情调。肖邦曾把他创作的三四首歌曲拿出来与几位朋友分享,结果一经传唱就成了那个时代的当红歌曲,尽管这些歌曲的谱本时至今日才得以出版面世,但他们的旋律早已在肖邦家乡的宅寓和乡间回荡了很多年。”

    浪漫主义时代远去,而肖邦的音乐却依然紧跟时代的脉搏,在当代艺术中延续着它的生命力。2020年10月28日19:00,旅欧青年钢琴家张梦梓和旅波青年女高音歌唱家王晓琛将带你走近“钢琴诗人”,为你展现“肖邦”这一文化符号。

  •    (唯意志论与浪漫主义:贝多芬诞辰250周年,2020年9月)

  • (早期巴洛克舞蹈的诞生:芭蕾,西安音乐厅,2020年9月)

  •   (源自世界上最古老的乐器之一:长笛,2020年8月)

  • (古乐的重生:20世纪本真主义音乐复兴运动,2020年7月)

  • (艺术审美如何被影响与迁移,华侨城文化镇博览会,2020年6月)

  • (巴塞罗那幻想曲:来自伊比利亚半岛的音乐记忆,2020年6月)

  • (18世纪以来的音乐审美演变,2019年12月)

  •    (小提琴的音质与音色,2019年8月)

  • (大提琴的前世今生,2019年6月)

  • (钢琴的诞生:艺术、资本与技术的跨界杰作,2019年2月)

  • (古典音乐的继承者:20世纪以来的新音乐,2018年11月)

  • (日本的色彩:音乐中的画卷,2018年10月)

  • (不同音乐词汇的演奏诠释,2017年7月)

  • (德国的精神启蒙:狂飙突进,2017年7月)

  •    (巴赫到底喜不喜欢钢琴?2017年6月)

  •    (早期钢琴的回归与历史审美的重构:专访制琴师保罗·麦克诺提,2017年第7期)

  •    (从巴伦博伊姆的新钢琴谈起,2017年5月)

  •    (触键的关键:钢琴的机械运动,2017年5月)

  •    (谈钢琴擒纵结构的发展,2017年第8期)

  •    (关于早期钢琴,中国音乐学院讲座,2016年11月)

 
 
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